Golding, John

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Correspondence from John Golding, Courtauld Institute, to Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art, and Kynaston McShine, Curator for the Museum of Modern Art.

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Correspondence from John Golding [?] to Evan H. Turner, Director of the Philadelphia Museum of Art. Includes budget for Art Council's Duchamp exhibition.

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Correspondence from Joseph Solomon to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

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Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to George Heard Hamilton, University of Cambridge History of Art Department.

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Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to Richard Hamilton.

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De Arte, volume 25. "Kabbalistic symbolism in Duchamp's readymade Comb" by Rory Doepel [copy].

Scope and Contents From the Sub-Series: As the correspondents in this sub-subseries make evident, McIlhenny cultivated a social network that reached across noted names in all the arts, as well as titled gentry, royalty and political figures. Whenever celebrities of the stage, screen or concert hall were performing in Philadelphia, McIlhenny would invite them to his home at Rittenhouse Square, just a stone's throw away from the major theatres and hotels. Although they could not always accept the offer, invitees included Noel...

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Steefel, Lawrence D. "Marcel Duchamp's 'Encore a cet astre': a new look." Typescript. Includes correspondence from Steefel to to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

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Memorandum from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Kynaston McShine, Curator for the Museum of Modern Art, to Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art. Includes copy of letter from Arturo Schwarz.

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Memorandum from Jane Necol, Curatorial Assistant for the Museum of Modern Art, to Carl Morse, Acting Director of Publications for the Museum of Modern Art.