Clifford, Henry
Biography
Henry Clifford was born in 1904 in Newcastle, Maine and studied in private schools in the United States and later in Harrow, England. He was married to Esther Harrison Rowland Clifford (1905-1983), a noted scholar and philanthropist, who was educated at Vassar and earned her master's degree and a doctorate in medieval history at Bryn Mawr College. They had two sons (Pier and Nicholas) and eight grandchildren. The Cliffords maintained homes in various locations, including: Rock Rose in Radnor, Pennsylvania; Es Tassoneyres at Mont Pelerin-sur-Vevey, Switzerland; Villa Capponi in Florence, Italy; and a villa at Jonacatapec, Mexico. These locations reflected the Cliffords' scholarly interests, which included Mexican art and European medieval history, as well as "all things modern." Henry Clifford is recognized as one of the Museum's most distinguished curators. He worked in various capacities over time, starting as the Assistant Curator of Paintings in 1932. In 1936, Clifford was promoted to Associate Curator of Paintings; by 1942, he served as full curator. Clifford retired in 1964, so his involvement with the Museum lasted for a total of 32 years. Clifford curated several outstanding exhibitions for the Museum, including: Mexican Art Today (1943); Matisse (1948); Toulouse-Lautrec (1955); Gustave Courbet (1959/60), and A World of Flowers (1963). In collaboration with other museums, Clifford presented Paintings and Drawings by Vincent Van Gogh (1954), Picasso 75th Anniversary Exhibition (1958), and Thomas Eakins: A Retrospective Exhibition (1962). Mr. and Mrs. Clifford's own collection of modern paintings was regularly featured in the Museum's "summer loan exhibitions" in the 1950s and 1960s, and they generously donated several works of art to the institution. At the time of Mr. Clifford's retirement in 1964, former Director Evan Turner said: "Mr. Clifford's connoisseurship and knowledge have unquestionably contributed to the significance of the exhibitions and acquisitions of the Museum during his tenure in office. His example has as well stimulated the considerable growth and quality of private collections in our city." Mr. Clifford passed away in 1974.
Found in 70 Collections and/or Records:
Correspondence from Henry Clifford to Walter Arensberg, 1948 January 19
Correspondence from Henry Clifford, Curator of Paintings at the Philadelphia Museum of Art, to Walter Arensberg.
Correspondence from Henry Clifford to Walter Arensberg, 1948 February 18
Correspondence from Henry Clifford, Curator of Paintings at the Philadelphia Museum of Art, to Walter Arensberg.
Correspondence from Henry Clifford to Walter Arensberg, 1948 January 25
Correspondence from Henry Clifford, Curator of Paintings at the Philadelphia Museum of Art, to Walter Arensberg.
Correspondence from Henry Clifford to Walter Arensberg, 1944 September 19
Correspondence from Henry Clifford, Curator of Paintings at the Philadelphia Museum of Art, to Walter Arensberg.
Correspondence from J. B. Neumann to Henry Clifford, 1954 October 15
Correspondence from J. B. Neumann to Henry Clifford, Curator of Paintings at the Philadelphia Museum of Art.
Correspondence from Louise Arensberg to Marie Kimball, 1951 May 19
Correspondence from Louise Arensberg to Marie Kimball.
Correspondence from Marcel Duchamp to Henri Marceau, 1960 March 28
Correspondence from Marcel Duchamp to Henri Marceau, Director of the Philadelphia Museum of Art.
Correspondence from Marcel Duchamp to Walter Arensberg, 1954 January 23
Correspondence from Marcel Duchamp to Walter Arensberg [copy].
Correspondence from Mary A. Givens to Walter Arensberg, 1949 March 21
Correspondence from Mary A. Givens, Assistant to Fiske Kimball, Director of the Philadelphia Museum of Art, to Walter Arensberg. Includes price list.
Correspondence from Morton G. Schamberg to Henry Clifford, 1954 October 28
Correspondence from Morton G. Schamberg to Henry Clifford, Curator of Paintings at the Philadelphia Museum of Art.
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