Philadelphia Museum of Art
Organization
Found in 4132 Collections and/or Records:
Philadelphia Museum College of Art. Transcript of Marcel Duchamp's "Where do we go from here?" lecture, 1961 March 20
Object — Box: 2, Folder: 17
Identifier: MDP_B002_F017_001
Scope and Contents
Philadelphia Museum College of Art. Transcript of Marcel Duchamp's "Where do we go from here?" lecture . English version. Typescript, corrected.
Dates:
1961 March 20
Philadelphia Museum College of Art. Transcript of Marcel Duchamp's "Where do we go from here?" lecture, 1961 March 20
Object — Box: 2, Folder: 17
Identifier: MDP_B002_F017_002
Scope and Contents
Philadelphia Museum College of Art. Transcript of Marcel Duchamp's "Where do we go from here?" lecture . French version. Typescript, corrected.
Dates:
1961 March 20
Philadelphia Museum College of Art. Transcript of Marcel Duchamp's "Where do we go from here?" lecture, 1961 March 20
Object — Box: 13, Folder: 24
Identifier: MDE_B013_F024_001
Scope and Contents
Philadelphia Museum College of Art. Transcript of Marcel Duchamp's "Where do we go from here?" lecture . English and French versions. Typescript, corrected.
Dates:
1961 March 20
Philadelphia Museum of Art, 1980-1990
File — Box: 24, Folder: 4
Scope and Contents
From the Sub-Series:
Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates:
1980-1990
Philadelphia Museum of Art, 1991-1995
File — Box: 24, Folder: 5
Scope and Contents
From the Sub-Series:
Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates:
1991-1995
Philadelphia Museum of Art, Jan.-June 1954
File — Box: 1, Folder: 35
Scope and Contents
From the Series:
Correspondence with the Foundation staff, primarily Elizabeth Wrigley, although there is some correspondence of Walter Arensberg and other staff members.
Dates:
Jan.-June 1954
Philadelphia Museum of Art, July 1954-1959
File — Box: 1, Folder: 36
Scope and Contents
From the Series:
Correspondence with the Foundation staff, primarily Elizabeth Wrigley, although there is some correspondence of Walter Arensberg and other staff members.
Dates:
July 1954-1959
Philadelphia Museum of Art, 1960-1970
File — Box: 1, Folder: 37
Scope and Contents
From the Series:
Correspondence with the Foundation staff, primarily Elizabeth Wrigley, although there is some correspondence of Walter Arensberg and other staff members.
Dates:
1960-1970
Philadelphia Museum of Art, 1971-1973
File — Box: 3, Folder: 1
Scope and Contents
From the Series:
Correspondence with the Foundation staff, primarily Elizabeth Wrigley, although there is some correspondence of Walter Arensberg and other staff members.
Dates:
1971-1973
Philadelphia Museum of Art, 1974-1980
File — Box: 1, Folder: 38
Scope and Contents
From the Series:
Correspondence with the Foundation staff, primarily Elizabeth Wrigley, although there is some correspondence of Walter Arensberg and other staff members.
Dates:
1974-1980
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