Worcester Art Museum
Organization
Found in 11 Collections and/or Records:
Correspondence from Charles H. Sawyer to Walter Arensberg, 1941 February 20
Object — Box: 20, Folder: 46
Identifier: WLA_B020_F046_001
Scope and Contents
Correspondence from Charles H. Sawyer, Director of the Worcester Art Museum, to Walter Arensberg.
Dates:
1941 February 20
Correspondence from Walter Arensberg to Charles H. Sawyer, 1941 February 27
Object — Box: 20, Folder: 46
Identifier: WLA_B020_F046_002
Scope and Contents
Correspondence from Walter Arensberg to Charles H. Sawyer, Director of the Worcester Art Museum.
Dates:
1941 February 27
Worcester Art Museum, 1929-1930
File — Box: 17, Folder: 5
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929-1930
Worcester Art Museum, 1931-1932
File — Box: 24, Folder: 2
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1931-1932
Worcester Art Museum, 1917-1937
File — Box: 11, Folder: 20
Scope and Contents
From the Sub-Series:
Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.
Dates:
1917-1937
Worcester Art Museum, 1953-1954
File — Box: 102, Folder: 19
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954
Worcester Art Museum, 1947-1948
File — Box: 64, Folder: 11
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1947-1948
Worcester Art Museum, 1949-1950
File — Box: 77, Folder: 11
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1949-1950
Worcester Art Museum, 1951-1952
File — Box: 90, Folder: 11
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
Worcester Art Museum, 1933-1937
File — Box: 38, Folder: 17
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1937
Additional filters:
- Subject
- correspondence 2
- Hollywood, United States 1
- Worcester, United States 1