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Worcester Art Museum

 Organization

Found in 11 Collections and/or Records:

Correspondence from Charles H. Sawyer to Walter Arensberg, 1941 February 20

 Object — Box: 20, Folder: 46
Identifier: WLA_B020_F046_001
Scope and Contents

Correspondence from Charles H. Sawyer, Director of the Worcester Art Museum, to Walter Arensberg.

Dates: 1941 February 20

Correspondence from Walter Arensberg to Charles H. Sawyer, 1941 February 27

 Object — Box: 20, Folder: 46
Identifier: WLA_B020_F046_002
Scope and Contents

Correspondence from Walter Arensberg to Charles H. Sawyer, Director of the Worcester Art Museum.

Dates: 1941 February 27

Worcester Art Museum, 1929-1930

 File — Box: 17, Folder: 5
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1929-1930

Worcester Art Museum, 1931-1932

 File — Box: 24, Folder: 2
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1931-1932

Worcester Art Museum, 1917-1937

 File — Box: 11, Folder: 20
Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.

Dates: 1917-1937

Worcester Art Museum, 1953-1954

 File — Box: 102, Folder: 19
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1953-1954

Worcester Art Museum, 1947-1948

 File — Box: 64, Folder: 11
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1947-1948

Worcester Art Museum, 1949-1950

 File — Box: 77, Folder: 11
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1949-1950

Worcester Art Museum, 1951-1952

 File — Box: 90, Folder: 11
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952

Worcester Art Museum, 1933-1937

 File — Box: 38, Folder: 17
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1933-1937

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