French & Company (New York, N.Y.)
Organization
Found in 10 Collections and/or Records:
French Company (New York, N.Y.), 1933-1937
File — Box: 30, Folder: 1
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1937
French Company (New York, N.Y.), 1931-1932
File — Box: 20, Folder: 3
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1931-1932
French Company (New York, N.Y.), 1953-1954
File — Box: 94, Folder: 10
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954
French Company (New York, N.Y.), 1950
File — Box: 69, Folder: 10
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1950
French Company (New York, N.Y.), 1951-1952
File — Box: 81, Folder: 25
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
French Company (New York, N.Y.), 1929-1930
File — Box: 12, Folder: 9
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929-1930
French Company (New York, N.Y.), 1943-1944
File — Box: 48, Folder: 10
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1943-1944
French Company (New York, N.Y.), 1947-1948
File — Box: 57, Folder: 14
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1947-1948
French Company (New York, N.Y.), 1932
File — Box: 70, Folder: 7
Scope and Contents
From the Sub-Series:
This sub-subseries is comprised primarily of Kimball's correspondence with Perry, Shaw and Hepburn regarding their restoration work at Williamsburg. Most letters concern the clarification of architectural details for specific structures, although in some letters Kimball provides more general advice, such as on roofing material and heating and ventilation systems. Many letters contain enclosures, such as minutes from the annual meeting of the Advisory Committee of Architects. In addition,...
Dates:
1932
French Company Re: antiques, 1914-1923
File — Box: 6, Folder: 20
Scope and Contents
From the Sub-Series:
Includes correspondence, agreements, and some photographs of objects, mostly concerning Barnard's purchases.
Dates:
1914-1923