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University of Pennsylvania

 Organization

Found in 23 Collections and/or Records:

Correspondence from Philip Rieff to Anne d'Harnoncourt, 1973 November 12

 Object — Box: 2, Folder: 56
Identifier: MDE_B002_F056_014
Scope and Contents

Correspondence from Philip Rieff, Benjamin Franklin Professor of Sociology at the University of Pennsylvania, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1973 November 12

University of Pennsylvania, 1992-1994

 File — Box: 86, Folder: 9
Scope and Contents From the Sub-Series: As evidenced in the records of the previous subseries, the Landmark Renewal campaign afforded the museum the opportunity to enhance nearly every aspect of its art collection, from display to scholarship. This subseries documents another ambitious program to improve the 24-acre grounds surrounding the "temple on the hill." The Landscape Rehabilitation Project was initiated by the Pennsylvania Horticultural Society (PHS), another venerable Philadelphia institution, as part of its Philadelphia...
Dates: 1992-1994

University of Pennsylvania, 1929-1930

 File — Box: 16, Folder: 6
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1929-1930

University of Pennsylvania, 1931-1932

 File — Box: 23, Folder: 10
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1931-1932

University of Pennsylvania, 1998-1999

 File — Box: 3, Folder: 24
Scope and Contents From the Sub-Series: This sub-subseries and the remaining ones replicate the arrangement by date span of d'Harnoncourt's PMA records that were created after 1996. All date spans, therefore, coincide with her dual role as PMA's director and CEO. Of note in this sub-subseries are the letters of congratulations sent to d'Harnoncourt upon her receipt of The Philadelphia Award, one of the city's most prestigious recognitions, and one bestowed nearly 50 years earlier to d'Harnoncourt's directorial predecessor at PMA,...
Dates: 1998-1999

University of Pennsylvania, 2004

 File — Box: 506, Folder: 16
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2004

University of Pennsylvania, 2005

 File — Box: 507, Folder: 1
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2005

University of Pennsylvania, 2006

 File — Box: 507, Folder: 2
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2006

University of Pennsylvania, 2007 - 2008

 File — Box: 507, Folder: 3
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2007 - 2008

University of Pennsylvania, 1962, 1969

 File — Box: 3, Folder: 21
Scope and Contents From the Series: This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates: 1962, 1969

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