Art Institute of Chicago
Organization
Found in 490 Collections and/or Records:
Art Institute of Chicago, 1945-1946
File — Box: 50, Folder: 15
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1945-1946
Art Institute of Chicago, 1947-1948
File — Box: 54, Folder: 6
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1947-1948
Art Institute of Chicago, 1953-1954
File — Box: 91, Folder: 5
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954
Art Institute of Chicago, 1949-1950
File — Box: 65, Folder: 11
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1949-1950
Art Institute of Chicago, 1927-1928
File — Box: 3, Folder: 17
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1927-1928
Art Institute of Chicago, 1929-1930
File — Box: 10, Folder: 8
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929-1930
Art Institute of Chicago, 1951-1952
File — Box: 78, Folder: 9
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
Art Institute of Chicago, 1931-1932
File — Box: 18, Folder: 2
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1931-1932
Art Institute of Chicago, 1933-1937
File — Box: 25, Folder: 4
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1937
Art Institute of Chicago. "Eakins." Invitations, November, undated
File — Box: 14, Folder: 6
Scope and Contents
From the Sub-Series:
This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates:
November, undated
Additional filters:
- Subject
- correspondence 301
- Chicago, United States 169
- New York City, United States 123
- Philadelphia, United States 118
- Hollywood, United States 83
- clippings (information artifacts) 80
- memorandums 20
- telegrams 13
- photographic prints 10
- notes 9
- Los Angeles, United States 7
- museum records 6
- press releases 6
- Milwaukee, United States 5
- financial records 5
- invitations 4
- inventories 3
- invoices 3
- shipping records 3
- writings (documents) 3
- Boston, United States 2
- Champaign, United States 2
- Toronto, Canada 2
- Wheaton, United States 2
- gelatin silver prints 2
- minutes (administrative records) 2
- postcards 2
- Des Moines, United States 1
- Grand Rapids, United States 1
- Irvine, United States 1
- Jamaica, United States 1
- Kansas City, United States 1
- Merrillville, United States 1
- Montréal, Canada 1
- Newark, United States 1
- Paris, France 1
- Pontiac, United States 1
- Portland, United States 1
- Reading, United States 1
- San Francisco, United States 1
- Toledo, United States 1
- Washington D.C., United States 1
- Winnetka, United States 1
- agendas (administrative records) 1
- agreements 1
- architectural drawings (visual works) 1
- condition reports 1
- diagrams 1
- envelopes 1
- exhibition catalogues 1
- exhibition records 1
- galley proofs 1
- grant proposals 1
- lectures 1
- printed materials (object genre) 1
- programs (documents) 1 ∧ less
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