Art Institute of Chicago
Organization
Found in 490 Collections and/or Records:
Arensberg modern collection comes to Art Institute Oct. 20, 1949 October 9
Object — Box: 41, Folder: 1
Identifier: WLA_B041_F001_004
Scope and Contents
"Arensberg modern collection comes to Art Institute Oct. 20" by Frank Holland. Clipping from the Chicago Sun-Times.
Dates:
1949 October 9
Art digest. "Arensberg Collection - Born in the Armory, Bows in Chicago", 1949 November 1
Object — Box: 14, Folder: 1
Identifier: MDP_B014_F001_001
Scope and Contents
Art digest, Vol. 24, No. 3. "Arensberg Collection - Born in the Armory, Bows in Chicago" by C. J. Bulliet, page 7-8.
Dates:
1949 November 1
Art in October, 1949 October 22
Object — Box: 41, Folder: 1
Identifier: WLA_B041_F001_013
Scope and Contents
"Art in October." Clipping from Where Magazine.
Dates:
1949 October 22
Art Institute Modern Show to End Dec. 18, 1949 October 30
Object — Box: 41, Folder: 1
Identifier: WLA_B041_F001_017
Scope and Contents
"Art Institute Modern Show to End Dec. 18" by Edward Barry. Clipping from the Chicago Sunday Tribune.
Dates:
1949 October 30
Art Institute of Chicago, 1927-1928
File — Box: 3, Folder: 17
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1927-1928
Art Institute of Chicago, 1929-1930
File — Box: 10, Folder: 8
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929-1930
Art Institute of Chicago, 1931-1932
File — Box: 18, Folder: 2
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1931-1932
Art Institute of Chicago, 1933-1937
File — Box: 25, Folder: 4
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1937
Art Institute of Chicago, 1953-1954
File — Box: 91, Folder: 5
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954
Art Institute of Chicago, 1951-1952
File — Box: 78, Folder: 9
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
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