Museum of Fine Arts, Boston

Scope and Contents

Correspondence from George Harold Edgell, Director of the Museum of Fine Arts, to Walter Arensberg.

Scope and Contents

Correspondence from W. G. Constable, Curator of Paintings at the Museum of Fine Arts Boston, to Walter Arensberg.

Scope and Contents

Correspondence from W. G. Constable, Curator of Paintings at the Museum of Fine Arts Boston, to Walter Arensberg.

Scope and Contents

Correspondence from Walter Arensberg to Earl Stendahl.

Scope and Contents

Correspondence from Walter Arensberg to George Harold Edgell, Director of the Museum of Fine Arts, Boston.

Scope and Contents

Correspondence from Walter Arensberg to George Harold Edgell, Director of the Museum of Fine Arts, Boston.

Scope and Contents

Correspondence from Walter Arensberg to W. G. Constable, Curator of Paintings at the Museum of Fine Arts Boston.

Scope and Contents From the Sub-Series: Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...

Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.

Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.