Museum of Fine Arts, Boston
Organization
Found in 25 Collections and/or Records:
Correspondence from George Harold Edgell to Walter Arensberg, 1935 April 18
Object — Box: 7, Folder: 6
Identifier: WLA_B007_F006_002
Scope and Contents
Correspondence from George Harold Edgell, Director of the Museum of Fine Arts, to Walter Arensberg.
Dates:
1935 April 18
Correspondence from W. G. Constable to Walter Arensberg, 1941 July 23
Object — Box: 5, Folder: 23
Identifier: WLA_B005_F023_001
Scope and Contents
Correspondence from W. G. Constable, Curator of Paintings at the Museum of Fine Arts Boston, to Walter Arensberg.
Dates:
1941 July 23
Correspondence from W. G. Constable to Walter Arensberg, 1941 August 5
Object — Box: 5, Folder: 23
Identifier: WLA_B005_F023_003
Scope and Contents
Correspondence from W. G. Constable, Curator of Paintings at the Museum of Fine Arts Boston, to Walter Arensberg.
Dates:
1941 August 5
Correspondence from Walter Arensberg to Earl Stendahl, 1950 April 25
Object — Box: 18, Folder: 11
Identifier: WLA_B018_F011_015
Scope and Contents
Correspondence from Walter Arensberg to Earl Stendahl.
Dates:
1950 April 25
Correspondence from Walter Arensberg to George Harold Edgell, 1935 April 6
Object — Box: 7, Folder: 6
Identifier: WLA_B007_F006_001
Scope and Contents
Correspondence from Walter Arensberg to George Harold Edgell, Director of the Museum of Fine Arts, Boston.
Dates:
1935 April 6
Correspondence from Walter Arensberg to George Harold Edgell, 1935 June 12
Object — Box: 7, Folder: 6
Identifier: WLA_B007_F006_003
Scope and Contents
Correspondence from Walter Arensberg to George Harold Edgell, Director of the Museum of Fine Arts, Boston.
Dates:
1935 June 12
Correspondence from Walter Arensberg to W. G. Constable, 1941 July 26
Object — Box: 5, Folder: 23
Identifier: WLA_B005_F023_002
Scope and Contents
Correspondence from Walter Arensberg to W. G. Constable, Curator of Paintings at the Museum of Fine Arts Boston.
Dates:
1941 July 26
Museum of Fine Arts, Boston, 1927-1928
File — Box: 7, Folder: 5
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1927-1928
Museum of Fine Arts, Boston, 1929-1930
File — Box: 14, Folder: 10
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929-1930
Museum of Fine Arts, Boston, 1933-1937
File — Box: 34, Folder: 3
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1937