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J. Paul Getty Trust

 Organization

Found in 28 Collections and/or Records:

J. Paul Getty Trust, 1986-1987

 File — Box: 22, Folder: 36
Scope and Contents From the Sub-Series: Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates: 1986-1987

J. Paul Getty Trust, 1997-1999

 File — Box: 282, Folder: 10
Scope and Contents From the Sub-Series: Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates: 1997-1999

J. Paul Getty Trust, 2000-2003

 File — Box: 349, Folder: 11
Scope and Contents From the Sub-Series: Fireworks and other festivities begin this subseries with documentation of the museum's plans to celebrate its 125th anniversary on May 10, 2001. On that day in 1876, the Centennial exhibition opened to the world. Among its many attractions was the Art Gallery building, which was later named Memorial Hall. At the close of the exhibition, Memorial Hall became the first home of the newly chartered Philadelphia Museum of Art (then known as the Pennsylvania Museum and School of Industrial Art)....
Dates: 2000-2003

J. Paul Getty Trust, 2004

 File — Box: 446, Folder: 3
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2004

J. Paul Getty Trust, January-April 2005

 File — Box: 446, Folder: 4
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: January-April 2005

J. Paul Getty Trust, May-August 2005

 File — Box: 446, Folder: 5
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: May-August 2005

J. Paul Getty Trust, September-December 2005

 File — Box: 446, Folder: 6
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: September-December 2005

J. Paul Getty Trust, 1982-1983

 File — Box: 15, Folder: 14
Scope and Contents From the Sub-Series: This subseries consists of the records compiled during the first four years of d'Harnoncourt's tenure as museum director. Of the accomplishments achieved during this time period, one of the most significant and best documented here is the museum's acquisition of thousands of drawings and prints by European old masters and artists of the 19th century. The seller was PAFA, the Pennsylvania Academy of the Fine Arts, which had long ago changed its emphasis to the collection and study of American...
Dates: 1982-1983

J. Paul Getty Trust, 1984-1985

 File — Box: 16, Folder: 1
Scope and Contents From the Sub-Series: This subseries consists of the records compiled during the first four years of d'Harnoncourt's tenure as museum director. Of the accomplishments achieved during this time period, one of the most significant and best documented here is the museum's acquisition of thousands of drawings and prints by European old masters and artists of the 19th century. The seller was PAFA, the Pennsylvania Academy of the Fine Arts, which had long ago changed its emphasis to the collection and study of American...
Dates: 1984-1985

J. Paul Getty Trust. Architect Selection Committee. Correspondence, clippings and interview notes, 1983-1984

 File — Box: 24, Folder: 6
Scope and Contents From the Series: Institutions across the country and abroad sought d'Harnoncourt's advice. While a few of these organizations may have invited d'Harnoncourt in order to capitalize on her reputation, these records make evident that her involvement with most was far more than titular. D'Harnoncourt was an active participant and frequent traveler on their behalf--attending meetings, taking notes, corresponding with colleagues and offering her feedback on an array of proposals. Based on her files, d'Harnoncourt...
Dates: 1983-1984