Musée du Louvre
Organization
Found in 12 Collections and/or Records:
Correspondence from Fiske Kimball to Georges Salles, 1954 November 3
Object — Box: 181, Folder: 6
Identifier: FKR_B181_F006_033
Scope and Contents
Correspondence from Fiske Kimball, Director of the Philadelphia Museum of Art, to Georges Salles, Musée du Louvre.
Dates:
1954 November 3
Correspondence from Georges Salles to Fiske Kimball, 1954 November 30
Object — Box: 181, Folder: 6
Identifier: FKR_B181_F006_006
Scope and Contents
Correspondence from Georges Salles, Musée du Louvre, to Fiske Kimball, Director of the Philadelphia Museum of Art.
Dates:
1954 November 30
Correspondence from Marcel Duchamp to Henri Marceau, 1957 June 29
Object — Box: 23, Folder: 16
Identifier: MAR_B023_F016_024
Scope and Contents
Correspondence from Marcel Duchamp to Henri Marceau, Director of the Philadelphia Museum of Art.
Dates:
1957 June 29
Draft correspondence from Fiske Kimball to Georges Salles, 1954 November 3
Object — Box: 181, Folder: 6
Identifier: FKR_B181_F006_034
Scope and Contents
Draft correspondence from Fiske Kimball, Director of the Philadelphia Museum of Art, to Georges Salles, Musée du Louvre.
Dates:
1954 November 3
Invoice from The Louvre to Mary Ann Adler, 1951 January 2
Object — Box: 28, Folder: 2
Identifier: WLA_B028_F002_003
Scope and Contents
Invoice from The Louvre, Gustave Gilbert Artists' Material and Picture Framing, to Mary Ann Adler, Expert Restoration and Preservation of Fine Paintings.
Dates:
1951 January 2
Musée du Louvre, 1997-1999
File — Box: 289, Folder: 1
Scope and Contents
From the Sub-Series:
Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates:
1997-1999
Musée du Louvre, 2000-2003
File — Box: 361, Folder: 3
Scope and Contents
From the Sub-Series:
Fireworks and other festivities begin this subseries with documentation of the museum's plans to celebrate its 125th anniversary on May 10, 2001. On that day in 1876, the Centennial exhibition opened to the world. Among its many attractions was the Art Gallery building, which was later named Memorial Hall. At the close of the exhibition, Memorial Hall became the first home of the newly chartered Philadelphia Museum of Art (then known as the Pennsylvania Museum and School of Industrial Art)....
Dates:
2000-2003
Musée du Louvre, 2005-2006
File — Box: 469, Folder: 1
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2005-2006
Musée du Louvre. Bicentennary [1994]. Ephemera re all U.S. events, 1994
File — Box: 79, Folder: 4
Scope and Contents
From the Sub-Series:
As evidenced in the records of the previous subseries, the Landmark Renewal campaign afforded the museum the opportunity to enhance nearly every aspect of its art collection, from display to scholarship. This subseries documents another ambitious program to improve the 24-acre grounds surrounding the "temple on the hill." The Landscape Rehabilitation Project was initiated by the Pennsylvania Horticultural Society (PHS), another venerable Philadelphia institution, as part of its Philadelphia...
Dates:
1994
Musée du Louvre. Bicentennary [1994]. PMA events and NY luncheon, 1992-1993
File — Box: 79, Folder: 2
Scope and Contents
From the Sub-Series:
As evidenced in the records of the previous subseries, the Landmark Renewal campaign afforded the museum the opportunity to enhance nearly every aspect of its art collection, from display to scholarship. This subseries documents another ambitious program to improve the 24-acre grounds surrounding the "temple on the hill." The Landscape Rehabilitation Project was initiated by the Pennsylvania Horticultural Society (PHS), another venerable Philadelphia institution, as part of its Philadelphia...
Dates:
1992-1993