Women's Committee of the Philadelphia Museum of Art
Organization
Found in 31 Collections and/or Records:
Women's Committee of the Philadelphia Museum of Art. 23rd annual craft show. Clippings and other papers, 1999
File — Box: 303, Folder: 21
Scope and Contents
From the Sub-Series:
Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates:
1999
Women's Committee of the Philadelphia Museum of Art. Craft Show, 2000-2002
File — Box: 396, Folder: 7
Scope and Contents
From the Sub-Series:
Fireworks and other festivities begin this subseries with documentation of the museum's plans to celebrate its 125th anniversary on May 10, 2001. On that day in 1876, the Centennial exhibition opened to the world. Among its many attractions was the Art Gallery building, which was later named Memorial Hall. At the close of the exhibition, Memorial Hall became the first home of the newly chartered Philadelphia Museum of Art (then known as the Pennsylvania Museum and School of Industrial Art)....
Dates:
2000-2002
Women's Committee of the Philadelphia Museum of Art. Craft Show, 2004
File — Box: 509, Folder: 13
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2004
Women's Committee of the Philadelphia Museum of Art. Craft Show, 2006
File — Box: 509, Folder: 14
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2006
Women's Committee of the Philadelphia Museum of Art. Craft show, 2007
File — Box: 509, Folder: 15
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2007
Women's Committee of the Philadelphia Museum of Art. Holiday card, 2000-2003
File — Box: 396, Folder: 8
Scope and Contents
From the Sub-Series:
Fireworks and other festivities begin this subseries with documentation of the museum's plans to celebrate its 125th anniversary on May 10, 2001. On that day in 1876, the Centennial exhibition opened to the world. Among its many attractions was the Art Gallery building, which was later named Memorial Hall. At the close of the exhibition, Memorial Hall became the first home of the newly chartered Philadelphia Museum of Art (then known as the Pennsylvania Museum and School of Industrial Art)....
Dates:
2000-2003
Women's Committee of the Philadelphia Museum of Art. Wish list, January-June 1997
File — Box: 304, Folder: 1
Scope and Contents
From the Sub-Series:
Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates:
January-June 1997
Women's Committee of the Philadelphia Museum of Art. Wish list, August-December 1997, undated
File — Box: 304, Folder: 2
Scope and Contents
From the Sub-Series:
Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates:
August-December 1997, undated
Women's Committee of the Philadelphia Museum of Art. Wish list, 1998-1999, undated
File — Box: 304, Folder: 3
Scope and Contents
From the Sub-Series:
Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates:
1998-1999, undated
Women's Committee of the Philadelphia Museum of Art. Wish List, 1994-1995
File — Box: 87, Folder: 8
Scope and Contents
From the Sub-Series:
As evidenced in the records of the previous subseries, the Landmark Renewal campaign afforded the museum the opportunity to enhance nearly every aspect of its art collection, from display to scholarship. This subseries documents another ambitious program to improve the 24-acre grounds surrounding the "temple on the hill." The Landscape Rehabilitation Project was initiated by the Pennsylvania Horticultural Society (PHS), another venerable Philadelphia institution, as part of its Philadelphia...
Dates:
1994-1995