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Brooklyn Museum

 Organization

Found in 20 Collections and/or Records:

Brooklyn Museum of Art, 1947-1948

 File — Box: 55, Folder: 12
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1947-1948

Brooklyn Museum of Art. "Sensation" exhibition, 1999-2001

 File — Box: 268, Folder: 10
Scope and Contents From the Sub-Series: Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates: 1999-2001

Brooklyn Museum of Art. "The American Renaissance." Photocopied excerpts, undated

 File — Box: 14, Folder: 15
Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates: undated

Brooklyn Museum of Art. "The Herbert A. Goldtone collection of American art." (June-September 1965). Photocopied excerpts, undated

 File — Box: 14, Folder: 17
Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates: undated

Brooklyn Museum of Art. "Triumph of realism." (1967). Photocopied excerpts, undated

 File — Box: 14, Folder: 18
Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates: undated

Correspondence from Grace W. Banker to Walter Arensberg, 1949 February 28

 Object — Box: 17, Folder: 59
Identifier: WLA_B017_F059_003
Scope and Contents

Correspondence from Grace W. Banker, Librarian for the Brooklyn Museum, to Walter Arensberg.

Dates: 1949 February 28

Magazine Reproduction of Unbroken Large Glass, Brooklyn Museum, 1927

 Object — Box: 12, Folder: 5
Identifier: MDP_B012_F005_001
Scope and Contents

Magazine Reproduction of Unbroken Large Glass, Brooklyn Museum

Dates: 1927

Photograph of "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)" before breaking, 1927

 Object — Box: 19, Folder: 1
Identifier: MDE_B019_F001_102
Scope and Contents

Duchamp, Marcel. "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)," 1915-1923. As installed, before breaking, at the Brooklyn Museum. Photograph printed from glass plate negative in the Alexina and Marcel Duchamp Papers.

Dates: 1927

Photograph of "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)" before breaking, 1927

 Object — Box: 19, Folder: 1
Identifier: MDE_B019_F001_104
Scope and Contents

Duchamp, Marcel. "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)," 1915-1923. As installed, before breaking, at the Brooklyn Museum. Photograph printed from glass plate negative in the Alexina and Marcel Duchamp Papers.

Dates: 1927

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New York City, United States 2
photographic prints 2
Brooklyn, United States 1
Philadelphia, United States 1
administrative records 1