Courtauld Institute of Art

Scope and Contents

Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to John Golding, Courtauld Institute of Art.

Scope and Contents

Correspondence from John Golding, Courtauld Institute of Art, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Scope and Contents From the Sub-Series: Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...

Scope and Contents From the Sub-Series:

This sub-subseries contains routine correspondence with institutions and individuals. Most often the subject of this correspondence is requests for information about Johnson objects, requests for photographic reproductions of objects and permissions to reproduce these images, and requests for publications about the Johnson collection.

The last group of material is correspondence addressed to Henri Marceau after his death on September 15, 1969, handled by Barbara Sweeny.

Scope and Contents From the Sub-Series: This sub-subseries currently is closed to researchers. D'Harnoncourt's friendship with Kimberly Camp extended beyond the latter's tenure as director of the Barnes Foundation. A folder of their personal correspondence is included here. Another friend of note is the artist Jasper Johns. The one letter from d'Harnoncourt to the artist in this sub-subseries belies their close friendship. Additional correspondence between the two, dated as early as 1983, is filed in the "Names and...