Box 76
Container
Contains 7 Results:
Lecture notebook, 1965 October-December
File — Box: 76, Folder: 1
Scope and Contents
From the Sub-Series:
The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...
Dates:
1965 October-December
Notebook. Art history course on modernism, circa 1965
File — Box: 76, Folder: 2
Scope and Contents
From the Sub-Series:
The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...
Dates:
circa 1965
Lecture notebooks, 1966 January-March
File — Box: 76, Folder: 3
Scope and Contents
From the Sub-Series:
The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...
Dates:
1966 January-March
Lecture notebooks, 1966 Spring-Summer
File — Box: 76, Folder: 4
Scope and Contents
From the Sub-Series:
The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...
Dates:
1966 Spring-Summer
Lecture notebooks, 1966 October-December
File — Box: 76, Folder: 5
Scope and Contents
From the Sub-Series:
The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...
Dates:
1966 October-December
Lecture notebooks, 1967 Spring-Summer
File — Box: 76, Folder: 6
Scope and Contents
From the Sub-Series:
The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...
Dates:
1967 Spring-Summer
Black and white reproductions of pre-Raphaelite paintings, circa 1967
File — Box: 76, Folder: 7
Scope and Contents
From the Sub-Series:
The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...
Dates:
circa 1967