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Box 67

 Container

Contains 13 Results:

d'Harnoncourt, René. Book collection

 File — Box: 67, Folder: 1
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927-2008, undated (bulk 1971-2006)

d'Harnoncourt, René. Drawings and illustrations

 File — Box: 67, Folder: 2
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927-2008, undated (bulk 1971-2006)

d'Harnoncourt, René. Exhibition research

 File — Box: 67, Folder: 3
Scope and Contents

Research related to "South of the Border: Mexico in the American Imagination" (1993-1994) and "Mexican Arts: American Federation of the Arts" exhibition (1930-1931).

Dates: circa 1927-2008, undated (bulk 1971-2006)

d'Harnoncourt, René. Lectures and remarks

 File — Box: 67, Folder: 4
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927-2008, undated (bulk 1971-2006)

d'Harnoncourt, René. Memorial, 1968

 File — Box: 67, Folder: 5
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1968

d'Harnoncourt, René. Obituary and tribute, 1968

 File — Box: 67, Folder: 6
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1968

d'Harnoncourt, René. Archives of American Art

 File — Box: 67, Folder: 7
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927-2008, undated (bulk 1971-2006)

d'Harnoncourt, René. Mexican archives at the University of Texas

 File — Box: 67, Folder: 8
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927-2008, undated (bulk 1971-2006)

d'Harnoncourt, René. Museum of Modern Art archives

 File — Box: 67, Folder: 9
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927-2008, undated (bulk 1971-2006)

d'Harnoncourt, René. Microfilm of Museum of Modern Art archives

 File — Box: 67, Folder: 10
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927-2008, undated (bulk 1971-2006)