Box 66
Container
Contains 16 Results:
General, 1961-1968
File — Box: 66, Folder: 1
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1961-1968
Engagement, 1971
File — Box: 66, Folder: 2
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1971
Philadelphia Inquirer. "The art of the museum director", 2001 August 12
File — Box: 66, Folder: 3
Scope and Contents
Philadelphia Inquirer. "The art of the museum director" by Melissa Dribben.
Dates:
2001 August 12
Obituary and other posthumous clippings, 2008 June
File — Box: 66, Folder: 4
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
2008 June
AAM-ICOM, 1974
File — Box: 66, Folder: 5
Scope and Contents
From the Series:
Institutions across the country and abroad sought d'Harnoncourt's advice. While a few of these organizations may have invited d'Harnoncourt in order to capitalize on her reputation, these records make evident that her involvement with most was far more than titular. D'Harnoncourt was an active participant and frequent traveler on their behalf--attending meetings, taking notes, corresponding with colleagues and offering her feedback on an array of proposals. Based on her files, d'Harnoncourt...
Dates:
1974
d'Harnoncourt, Anne. Correspondence to d'Harnoncourt René and Sarah Carr, 1952-2000, undated
File — Box: 66, Folder: 6
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1952-2000, undated
d'Harnoncourt, Anne. Correspondence to Rishel, Joseph
File — Box: 66, Folder: 7
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
circa 1927-2008, undated (bulk 1971-2006)
d'Harnoncourt, Anne. Correspondence to family, 2001
File — Box: 66, Folder: 8
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2001
d'Harnoncourt, René and Sarah Carr. Correspondence to d'Harnoncourt Anne, 1959-1964
File — Box: 66, Folder: 9
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1959-1964
d'Harnoncourt, René and Sarah Carr. Correspondence to d'Harnoncourt Anne, 1965-2001
File — Box: 66, Folder: 10
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1965-2001