Box 84

Scope and Contents From the Sub-Series: Many of the photographs identified as "Portraits" were taken for various publication purposes. The earliest appeared on the cover of the May 1965 Radcliffe Quarterly, showing a young d'Harnoncourt at work in the library, pencil in hand and a flower in her hair. The credit line does not identify the sitter or the photographer, but simply states "Spring at Radcliffe." However, written on the verso of the photo is "Olive Pierce Photo 1965." Although a line is drawn through the name, so too is...

Scope and Contents From the Sub-Series: D'Harnoncourt's father is again the primary subject here. Folder titles include all documented information, including name of photographer, locale, and other individuals in the photograph. Most of the sitters in the group photograph that includes the artist John Marin remain unidentified. The "Carr relatives" folder consists of six photographs of d'Harnoncourt's maternal relatives. While most of these are current images of family members, there is also a copyprint of a 1923 portrait of...

Scope and Contents From the Sub-Series: D'Harnoncourt's father is again the primary subject here. Folder titles include all documented information, including name of photographer, locale, and other individuals in the photograph. Most of the sitters in the group photograph that includes the artist John Marin remain unidentified. The "Carr relatives" folder consists of six photographs of d'Harnoncourt's maternal relatives. While most of these are current images of family members, there is also a copyprint of a 1923 portrait of...

Scope and Contents From the Sub-Series: D'Harnoncourt's father is again the primary subject here. Folder titles include all documented information, including name of photographer, locale, and other individuals in the photograph. Most of the sitters in the group photograph that includes the artist John Marin remain unidentified. The "Carr relatives" folder consists of six photographs of d'Harnoncourt's maternal relatives. While most of these are current images of family members, there is also a copyprint of a 1923 portrait of...

Scope and Contents From the Sub-Series: The material pertaining to Radcliffe College offers the most comprehensive documentation of d'Harnoncourt's formal education, from freshman orientation to graduation. Although few in number, the correspondence reveals that d'Harnoncourt received honors from start to finish. In recognition of her "outstanding academic achievement" and "unusual promise" as a student and citizen, the college named her an honorary Ann Radcliffe Scholar for 1961-1962. Four years later, d'Harnoncourt graduated...

Scope and Contents From the Sub-Series: With the exception of the children's book, the items included here give further evidence to d'Harnoncourt's young artistic expression. If it were not for her name written on the covers of the two undated sketchbooks, the drawings in each appear to be by two different hands. In the smaller book are a few sketches of hands, faces and figures apparently drawn from life. The larger book holds figures far more stylized and attenuated, similar to her father's drawing style and to the...

Scope and Contents From the Sub-Series: With the exception of the children's book, the items included here give further evidence to d'Harnoncourt's young artistic expression. If it were not for her name written on the covers of the two undated sketchbooks, the drawings in each appear to be by two different hands. In the smaller book are a few sketches of hands, faces and figures apparently drawn from life. The larger book holds figures far more stylized and attenuated, similar to her father's drawing style and to the...

Scope and Contents From the Sub-Series: With the exception of the children's book, the items included here give further evidence to d'Harnoncourt's young artistic expression. If it were not for her name written on the covers of the two undated sketchbooks, the drawings in each appear to be by two different hands. In the smaller book are a few sketches of hands, faces and figures apparently drawn from life. The larger book holds figures far more stylized and attenuated, similar to her father's drawing style and to the...

Scope and Contents From the Sub-Series: With the exception of the children's book, the items included here give further evidence to d'Harnoncourt's young artistic expression. If it were not for her name written on the covers of the two undated sketchbooks, the drawings in each appear to be by two different hands. In the smaller book are a few sketches of hands, faces and figures apparently drawn from life. The larger book holds figures far more stylized and attenuated, similar to her father's drawing style and to the...

Scope and Contents From the Sub-Series: With the exception of the children's book, the items included here give further evidence to d'Harnoncourt's young artistic expression. If it were not for her name written on the covers of the two undated sketchbooks, the drawings in each appear to be by two different hands. In the smaller book are a few sketches of hands, faces and figures apparently drawn from life. The larger book holds figures far more stylized and attenuated, similar to her father's drawing style and to the...