Box 78

Scope and Contents From the Sub-Series: Much of the material to this subseries could be considered d'Harnoncourt's miscellaneous working papers and ready reference materials, such as the several versions of her curriculum vitae sporadically tracking her career over a 30-year period. There are also a few folders that document memorable moments in her career. For example is the reproduction of an editorial cartoon that appeared in a local newspaper the day before Christmas of 2006.To counter an offer made by museums out of state,...

Scope and Contents From the Sub-Series: The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...

Scope and Contents From the Sub-Series: The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...

Scope and Contents From the Sub-Series: The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...

Scope and Contents From the Sub-Series: The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...

Scope and Contents From the Sub-Series: The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...

Scope and Contents From the Sub-Series: The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...

Scope and Contents From the Sub-Series: The only documentation of d'Harnoncourt's studies at the Courtauld Institute of Art in London is a copy of her M.A. thesis entitled, "The awakening conscience: a study of moral subject-matter in Pre-Raphaelite painting, with a catalogue of pictures in the Tate Gallery." This copy includes footnotes, bibliography and an appendix of catalogue entries. Missing, however, are the list of plates and plates I-XX, which were submitted in a separate binder. As she did for her undergraduate thesis,...

Scope and Contents From the Sub-Series: With the exception of the children's book, the items included here give further evidence to d'Harnoncourt's young artistic expression. If it were not for her name written on the covers of the two undated sketchbooks, the drawings in each appear to be by two different hands. In the smaller book are a few sketches of hands, faces and figures apparently drawn from life. The larger book holds figures far more stylized and attenuated, similar to her father's drawing style and to the...