Box 64
Container
Contains 16 Results:
Lenders. Henie-Onstad Kunstsenter, 1992
File — Box: 64, Folder: 6
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1992
Lenders. Rijksmuseum, Otterloo, 1990-1993
File — Box: 64, Folder: 15
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1990-1993
Lenders. Painewebber Art Collection, 1993
File — Box: 64, Folder: 12
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1993
Lenders. Pincus, David, 1992-1993
File — Box: 64, Folder: 13
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1992-1993
Lenders. Pulitzer, 1991-1992
File — Box: 64, Folder: 14
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1991-1992
Lenders. Rinn, Ludwig, 1988-1990
File — Box: 64, Folder: 16
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1988-1990