Box 37
Container
Contains 12 Results:
Correspondence. Whitney Museum of American Art, 1983-1988
File — Box: 37, Folder: 1
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1983-1988
Correspondence and notes, 1983-1985
File — Box: 37, Folder: 2
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1983-1985
Deitch Fine Arts Building, 1983, undated
File — Box: 37, Folder: 3
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1983, undated
Exhibition history, undated
File — Box: 37, Folder: 4
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
undated
Friends Opening, 1984
File — Box: 37, Folder: 5
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1984
Gemini, 1982-1985
File — Box: 37, Folder: 6
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1982-1985
German translations, undated
File — Box: 37, Folder: 7
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
undated
Installation notes, 1984
File — Box: 37, Folder: 8
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1984
Invitations and opening, undated
File — Box: 37, Folder: 9
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
undated
Israel Museum, undated
File — Box: 37, Folder: 10
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
undated