Box 34

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...

Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...

Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...