Box 32

Scope and Content Note From the Sub-Series:

"Spirit of an American Place: Photographs by Alfred Stieglitz" was an exhibition of 86 photographs. The records for the exhibition contain general material such as correspondence, memorandums, and exhibition materials.

Scope and Content Note From the Sub-Series:

"Picasso from the Collections" was an exhibition of 22 paintings and sculptures installed in the Twentieth-Century Galleries. The records for the exhibition include general material such as correspondence, labels, object descriptions and other related material.

Scope and Content Note From the Sub-Series:

"Master Drawings by Picasso" featured over100 drawings, watercolors, gouaches, collages, and assemblages to illustrate Picasso's versatility as a draughtsman. The works were drawn from over 50 museums and the exhibition focused on unfamiliar works. The records for the exhibition include correspondence and other planning material.

Scope and Content Note From the Sub-Series:

"Marius de Zayas: Conjuror of Souls" was a small retrospective exhibition of the artists' work. The exhibition, which featured Zayas's drawings, was organized by Douglas Hyland, the Curator of Western Art at the Spencer Museum of Art in Los Angeles. The records include general material such as checklists, correspondence, and memos, as well as installation documentation, labels, and photographs.

Scope and Content Note From the Sub-Series:

"Marius de Zayas: Conjuror of Souls" was a small retrospective exhibition of the artists' work. The exhibition, which featured Zayas's drawings, was organized by Douglas Hyland, the Curator of Western Art at the Spencer Museum of Art in Los Angeles. The records include general material such as checklists, correspondence, and memos, as well as installation documentation, labels, and photographs.

Scope and Content Note From the Sub-Series:

"Marius de Zayas: Conjuror of Souls" was a small retrospective exhibition of the artists' work. The exhibition, which featured Zayas's drawings, was organized by Douglas Hyland, the Curator of Western Art at the Spencer Museum of Art in Los Angeles. The records include general material such as checklists, correspondence, and memos, as well as installation documentation, labels, and photographs.

Scope and Content Note From the Sub-Series:

"John Cage: Scores & Prints," was organized by the Whitney Museum of American Art with the Philadelphia Museum of Art. The exhibition presented the first comprehensive review of John Cage's scores, print editions, and books. The records include checklists, installation photographs and documentation, and other material related to the preparation of the exhibition.

Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...

Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...

Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...