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Box 23

 Container

Contains 15 Results:

Response to show, 1979

 File — Box: 23, Folder: 2
Scope and Content Note From the Sub-Series:

Curated by Anne d'Harnoncourt, "Noguchi's Imaginary Landscapes" was an exhibition of 80 sculptures, 119 photo panels, and 33 charts. The accompanying exhibition catalogue was published by The Walker Art Center. The exhibition records include correspondence, installation documentation, press releases, and other related planning material.

Dates: 1979

Variable landscape, 1979-1980

 File — Box: 23, Folder: 3
Scope and Content Note From the Sub-Series:

Curated by Anne d'Harnoncourt, "Noguchi's Imaginary Landscapes" was an exhibition of 80 sculptures, 119 photo panels, and 33 charts. The accompanying exhibition catalogue was published by The Walker Art Center. The exhibition records include correspondence, installation documentation, press releases, and other related planning material.

Dates: 1979-1980

Video, 1979

 File — Box: 23, Folder: 4
Scope and Content Note From the Sub-Series:

Curated by Anne d'Harnoncourt, "Noguchi's Imaginary Landscapes" was an exhibition of 80 sculptures, 119 photo panels, and 33 charts. The accompanying exhibition catalogue was published by The Walker Art Center. The exhibition records include correspondence, installation documentation, press releases, and other related planning material.

Dates: 1979

Wolf Foundation, 1984

 File — Box: 23, Folder: 5
Scope and Content Note From the Sub-Series:

Curated by Anne d'Harnoncourt, "Noguchi's Imaginary Landscapes" was an exhibition of 80 sculptures, 119 photo panels, and 33 charts. The accompanying exhibition catalogue was published by The Walker Art Center. The exhibition records include correspondence, installation documentation, press releases, and other related planning material.

Dates: 1984

General, 1979-1980

 File — Box: 23, Folder: 6
Scope and Content Note From the Sub-Series:

"Brancusi as Photographer" was an exhibition of 73 photographs from the Centre Georges Pompidou, Paris. The exhibit was organized by the Akron Art Institute, curated by Carolyn Carr, and installed by Anne d'Harnoncourt. The records for the exhibition contain general material such as correspondence, newsclippings, research notes, and other planning documentation.

Dates: 1979-1980