Box 20

The PMA exhibition "Contemporary Drawings: Philadelphia II" was a joint effirt with the Pennsylvania Academy of Fine Arts. There were two exhibitions accompanied by one catalogue. Fifty-two artists were selected, and each exhibition featured the works of twenty-six artists. The records for the exhibition include correspondence and checklists.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.

"Violet Oakley (1874-1961)" was an exhibition of 175 paintings, drawings, and objects. Curated by Anne d'Harnoncourt and Ann Percy, the exhibition was a major retrospective of Oakley's work. The records for the exhibition include loan correspondence, photographs, lists, budget reports, and other material related to the planning of the exhibition. The bulk of the records date from 1979.