Box 7

"American Art since 1945: A Loan Exhibition from the Museum of Modern Art," was organized and installed by Anne d'Harnoncourt. A two-way loan exhibition, more than fifty paintings and sculptures were on display at the PMA, including works by Pollock, Gorky, de Kooning, and Rothko. The records for the exhibition include checklists, loan documentation, installation material, and loan files. The majority of the records are from 1972.

"American Art since 1945: A Loan Exhibition from the Museum of Modern Art," was organized and installed by Anne d'Harnoncourt. A two-way loan exhibition, more than fifty paintings and sculptures were on display at the PMA, including works by Pollock, Gorky, de Kooning, and Rothko. The records for the exhibition include checklists, loan documentation, installation material, and loan files. The majority of the records are from 1972.

"American Art since 1945: A Loan Exhibition from the Museum of Modern Art," was organized and installed by Anne d'Harnoncourt. A two-way loan exhibition, more than fifty paintings and sculptures were on display at the PMA, including works by Pollock, Gorky, de Kooning, and Rothko. The records for the exhibition include checklists, loan documentation, installation material, and loan files. The majority of the records are from 1972.

"Claes Oldenburg: Object into Monument" was an exhibition of the artist's larger than life objects. Organized by Barbara Haskell of the Pasadena Art Museum and installed at the PMA by Anne d'Harnoncourt, the exhibition focused on Oldenburg's work since the mid-1960s. The records contain general planning material such as checklists, installation documentation, photographs, and expense reports.

"Claes Oldenburg: Object into Monument" was an exhibition of the artist's larger than life objects. Organized by Barbara Haskell of the Pasadena Art Museum and installed at the PMA by Anne d'Harnoncourt, the exhibition focused on Oldenburg's work since the mid-1960s. The records contain general planning material such as checklists, installation documentation, photographs, and expense reports.

"Claes Oldenburg: Object into Monument" was an exhibition of the artist's larger than life objects. Organized by Barbara Haskell of the Pasadena Art Museum and installed at the PMA by Anne d'Harnoncourt, the exhibition focused on Oldenburg's work since the mid-1960s. The records contain general planning material such as checklists, installation documentation, photographs, and expense reports.

"Claes Oldenburg: Object into Monument" was an exhibition of the artist's larger than life objects. Organized by Barbara Haskell of the Pasadena Art Museum and installed at the PMA by Anne d'Harnoncourt, the exhibition focused on Oldenburg's work since the mid-1960s. The records contain general planning material such as checklists, installation documentation, photographs, and expense reports.

"Claes Oldenburg: Object into Monument" was an exhibition of the artist's larger than life objects. Organized by Barbara Haskell of the Pasadena Art Museum and installed at the PMA by Anne d'Harnoncourt, the exhibition focused on Oldenburg's work since the mid-1960s. The records contain general planning material such as checklists, installation documentation, photographs, and expense reports.

"Claes Oldenburg: Object into Monument" was an exhibition of the artist's larger than life objects. Organized by Barbara Haskell of the Pasadena Art Museum and installed at the PMA by Anne d'Harnoncourt, the exhibition focused on Oldenburg's work since the mid-1960s. The records contain general planning material such as checklists, installation documentation, photographs, and expense reports.

"Claes Oldenburg: Object into Monument" was an exhibition of the artist's larger than life objects. Organized by Barbara Haskell of the Pasadena Art Museum and installed at the PMA by Anne d'Harnoncourt, the exhibition focused on Oldenburg's work since the mid-1960s. The records contain general planning material such as checklists, installation documentation, photographs, and expense reports.