Box 5
Contains 11 Results:
Mechlin correspondence, D, 1902-1939
Correspondence from Charles W. Dahlgreen, Cyrus Edwin Dallin, Vittoria C. Dallin, Emily J. DeForest, Lockwood DeForest, Robert W. DeForest, Federick A. Delano, Agnes C. Y. DeNesti, Chauncey DePew, Mrs. Chester E. Dimick, William Howe Downes, Alexander W. Drake, and Mrs. A. W. Drake.
Miscellaneous correspondence, D, 1860-1949
Dehn, Adolf photographs
Twenty-six photographs of paintings by Adolf Dehn from Carl Zigrosser's files.
Dioda, Adolph, 1951-1963
Four photographs of Adolph Dioda's sculptures, three letters from Dioda to Zigrosser, two exhibition notices, and two grant application statements.
Mechlin correspondence, E, 1909-1942
Correspondence from Sir Alfred East, Walter Prichard Eaton, H. S. Ede, Helen Ede, Edgerly-Korzybski, David Edstrom, Louis M. Eilshemius, John Elliott, William Howe Elliott, J. Eliot Enneking, William T. Evans, and Viscount Exmouth.
Miscellaneous correspondence, E, 1817-1947
Correspondence from Louis M. Eilshemius to Henry A. Schnakenberg and Sam Golden, Raphael Ellender to Hudson D. Walker, Pat Erickson to Mr. and Mrs. Hudson D. Walker, Emlen Etting to Miss Derenberg and Henry A. Schnakenberg, Roberta Everett to Hudson D. Walker, Phillip Evergood to Hudson D. Walker and Henry A. Schnakenberg, Thomas Eakins, Ezra Styles Ely and Philadelphia Society of Etchers broadsheet.
Eakins, Susan M., 1933-1935
Correspondence from Susan Macdowell Eakins to Irene Hudson, Milch Galleries.
Eakins, Susan M., 1927-1936
Correspondence from Susan Macdowell Eakins to Irene Hudson, Milch Galleries. Also includes one letter to Leroy Ireland and one photostat of Art Club Gallery exhibition presesnted by Mrs. Eakins.
Eakins, Thomas
Photographs and photostats of Thomas Eakins paintings and sketches. Also includes correspondence between Eakins and George Barker.
Eakins, Thomas
Comprised of artists' letters, papers, signatures and photographs, this subgroup represents the material originally compiled by Carl Zigrosser while at PMA, beginning in 1942, and which was later microfilmed by the Smithsonian Institution and incorporated into their Archives of American Art.