Box 9

Ephemera, photographs, clippings, and other material documenting the life and work of artists who respond, refer or otherwise reference Duchamp and his art in their own work. Of particular note are two player piano scrolls of Duchamp's "Erratum Musical," one played by Petr Kotik and the S.E.M. Ensemble and the other by Martin Kalve. Also noteworthy are the several collaged works of mail art sent to the museum by correspondence artist Ray Johnson.

Various clippings related to Yasumasa Morimura.

Ephemera, photographs, clippings, and other material documenting the life and work of artists who respond, refer or otherwise reference Duchamp and his art in their own work. Of particular note are two player piano scrolls of Duchamp's "Erratum Musical," one played by Petr Kotik and the S.E.M. Ensemble and the other by Martin Kalve. Also noteworthy are the several collaged works of mail art sent to the museum by correspondence artist Ray Johnson.

Collection of "mail art" from the Northwest Mounted Valise by Stuart Horn.

Ephemera, photographs, clippings, and other material documenting the life and work of artists who respond, refer or otherwise reference Duchamp and his art in their own work. Of particular note are two player piano scrolls of Duchamp's "Erratum Musical," one played by Petr Kotik and the S.E.M. Ensemble and the other by Martin Kalve. Also noteworthy are the several collaged works of mail art sent to the museum by correspondence artist Ray Johnson.

Corcoran Gallery of Art. "Patrick Ireland: The Duchamp Portrait 1966/67." Exhibition catalog.

Art and Artists, vol. 1, no. 4. "Duchamp's Cardiogram" by Brian O'Doherty [copy].

Arts Magazine. "On Patrick Ireland's Electrocardiographic Portrait of Marcel Duchamp" by Joseph Masheck [copy].

Ephemera, photographs, clippings, and other material documenting the life and work of artists who respond, refer or otherwise reference Duchamp and his art in their own work. Of particular note are two player piano scrolls of Duchamp's "Erratum Musical," one played by Petr Kotik and the S.E.M. Ensemble and the other by Martin Kalve. Also noteworthy are the several collaged works of mail art sent to the museum by correspondence artist Ray Johnson.

Correspondence from António Olaio to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.