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Box 3

 Container

Contains 88 Results:

Clipping and seminar paper about "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)", 1976-1997

 Object — Box: 3, Folder: 40
Identifier: MDR_B003_F040_001
Scope and Contents

Kunst des Schweizerischen Kunstverein Bulletin, number 2. "Das grosse Glas von Marcel Duchamp" by Max Wechsler [copy]. Seminar paper about "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)" by Max Wechsler. Also includes correspondence from Wechsler to Anne d'Harnoncourt.

Dates: 1976-1997

Wilentz, Elias. "My (brief) life with Marcel Duchamp." Village Voice. Photocopy, 1974 June 13

 File — Box: 3, Folder: 41
Scope and Contents From the Sub-Series:

Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.

Dates: 1974 June 13

Village Voice. "My (brief) life with Marcel Duchamp", 1974 June 13

 Object — Box: 3, Folder: 41
Identifier: MDR_B003_F041_001
Scope and Contents

Village Voice. "My (brief) life with Marcel Duchamp" by Elias Wilentz [copy].

Dates: 1974 June 13

Wood, Michael. "Sounds like Hell to Me." Review of "Duchamp: A Biography" by Calvin Tomkins and "The Complete Works of Marcel Duchamp" by Arturo Schwarz. London Review of Books. Photocopy and associated correspondence, 1997 November-December

 File — Box: 3, Folder: 42
Scope and Contents From the Sub-Series:

Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.

Dates: 1997 November-December

London Review of Books. "Sounds like Hell to Me", 1997 November-December

 Object — Box: 3, Folder: 42
Identifier: MDR_B003_F042_001
Scope and Contents

London Review of Books. "Sounds like hell to me" by Michael Wood. Review of "Duchamp: A Biography" by Calvin Tomkins and "The Complete Works of Marcel Duchamp" by Arturo Schwarz. Includes correspondence from James D. Crawford to Anne d'Harnoncourt.

Dates: 1997 November-December

Zinnes, Harriet. "After Duchamp", "Essence d'amour," Ts. of poems, "Apparition of an Appearance." Parnassus. Photocopy of essay about Octavio Paz's book on Duchamp and associated correspondence, 1980-1987

 File — Box: 3, Folder: 43
Scope and Contents From the Sub-Series:

Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.

Dates: 1980-1987

Parnassus. "Apparition of an Appearance", 1980-1987

 Object — Box: 3, Folder: 43
Identifier: MDR_B003_F043_001

Correspondence from Anne d'Harnoncourt to Hannah Zinnes, 1987 November 25

 Object — Box: 3, Folder: 43
Identifier: MDR_B003_F043_002
Scope and Contents

Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Hannah Zinnes, professor of English at Queens College.

Dates: 1987 November 25