Box 7
Container
Contains 88 Results:
Ryerson Library / AIC [Cornell/Duchamp]
File — Box: 7, Folder: 71
Scope and Contents
From the Series:
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dates:
1966-2003
Re: Peggy Guggenheim
File — Box: 7, Folder: 72
Scope and Contents
From the Series:
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dates:
1966-2003
AT Research Notes
File — Box: 7, Folder: 73
Scope and Contents
From the Series:
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dates:
1966-2003
1963-181-61. Rouault, Georges. At the Circus (The Mad Clown). 1907, 1949
File — Box: 7, Folder: 1
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1949
Rouault, Georges. Acrobat (Clown a la Rose). 1911-1913, 1943 - 1950
File — Box: 7, Folder: 2
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1943 - 1950
1963-181-64. Rousseau, Henri-Julien-Felix. Carnival Evening. 1886, 1933 - 1954
File — Box: 7, Folder: 3
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1933 - 1954
Rousseau, Henri. General research. Newspaper clippings 1:2
File — Box: 7, Folder: 4
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1966-2003
Rousseau, Henri. General research. Correspondence 2:2
File — Box: 7, Folder: 5
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1966-2003
1963-181-180. Seurat, Georges. Seated Woman (Study for "La Grande Jatte"). 1884-1885
File — Box: 7, Folder: 6
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1966-2003
1963-181-72. Soutine, Chaim. Girl in Green. Circa 1925-1928, 1948
File — Box: 7, Folder: 7
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1948