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Box 6

 Container

Contains 59 Results:

Mrs. Herbert C. Morris summer loans, 1981 - 1982

 File — Box: 6, Folder: 2
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1981 - 1982

Williamina de Schauensee estate, 1990 - 1991

 File — Box: 6, Folder: 7
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1990 - 1991

Stern Collection loose receipts and bills, 1947 - 1960

 File — Box: 6, Folder: 10
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1947 - 1960

1963-181-23. Courbet, Gustave. Head of a Woman and Flowers (Woman with Flowers). 1871, 1938 - 1953

 File — Box: 6, Folder: 14
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1938 - 1953

1963-181-45. Matisse, Henri. Woman Seated in an Armchair (Femme Assise). 1920, 1944 - 1950

 File — Box: 6, Folder: 26
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1944 - 1950

1963-181-48. Modigliani, Amedeo. Portrait of a Polish Woman. 1919, 1947 - 1954

 File — Box: 6, Folder: 30
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1947 - 1954

1963-181-55. Pissarro, Camille. The Marketplace, Gisors. 1891, 1948 - 1957

 File — Box: 6, Folder: 35
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1948 - 1957

1963-181-59. Renoir, Pierre-Auguste. GIrl Tatting (La Frivolite). Circa 1906, 1938

 File — Box: 6, Folder: 36
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1938

PMA/Museum Archives: Finding Aids

 File — Box: 6
Scope and Contents From the Series:

The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.

Dates: 1966-2003

PMA Archives

 File — Box: 6
Scope and Contents From the Series:

The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.

Dates: 1966-2003