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Box 4

 Container

Contains 53 Results:

Bernard Rabin—Conservation

 File — Box: 4
Scope and Contents From the Series:

The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.

Dates: 1966-2003

Copyright Info, 1993

 File — Box: 4
Scope and Contents From the Series:

The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.

Dates: 1993

Creative Artists Network

 File — Box: 4
Scope and Contents From the Series:

The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.

Dates: 1966-2003

The Curtis Institute

 File — Box: 4
Scope and Contents From the Series:

The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.

Dates: 1966-2003

Portraits of artists in their studios 1:3, 1992

 File — Box: 4, Folder: 1
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1992

Portraits of artists in their studios 2:3, 1992

 File — Box: 4, Folder: 2
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1992

Portraits of artists in their studios 3:3, 1992

 File — Box: 4, Folder: 3
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1992

Post-renovation installation of modern and contemporary galleries, 2001

 File — Box: 4, Folder: 4
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 2001

Collection research. Collection installation views 1:2

 File — Box: 4, Folder: 5
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1966-2003

Collection research 2:2

 File — Box: 4, Folder: 6
Scope and Contents From the Collection: These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates: 1966-2003