Box 3
Container
Contains 68 Results:
Gallatin Collection checklist, 1982
File — Box: 3, Folder: 11
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1982
Gallatin and the New York Historical Society research, 1983
File — Box: 3, Folder: 12
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1983
Zabriskie gift of Gallatiniana, 1987
File — Box: 3, Folder: 13
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1987
Gail Stavitsky Gallatin Collection exhibition proposal, 1989
File — Box: 3, Folder: 14
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1989
1936 Maya Gallery, London, 1989
File — Box: 3, Folder: 15
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1989
New York University Gallatin installation, 1989
File — Box: 3, Folder: 16
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1989
Notes on Gallatin portrait photographs offered in Amy Wolf correspondence, 1991
File — Box: 3, Folder: 17
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1991
Joseph Beuys, Object Photographic Negatives
File — Box: 3, Folder: 1
Scope and Contents
From the Series:
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dates:
1966-2003
Found in:
Philadelphia Museum of Art, Library and Archives
/
TCA, Twentieth Century Art Department Records
/
Unprocessed materials
/
2013-08-09 Modern and Contemporary Art / Twentieth Century Art exhibition records
/
Joseph Beuys, MoMa and PMA, “Thinking is Form” exhibition files accrual
/
Essays, Publications, Loans, Exhibition History, Planning
Special Exh. Planning
File — Box: 3
Scope and Contents
From the Series:
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dates:
1966-2003
Exhibitions—Future Options
File — Box: 3
Scope and Contents
From the Series:
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dates:
1966-2003