Box 7
Contains 22 Results:
Breaking Home Ties stereoscopic photograph, 1898
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
George D. Beck to Howard Moll, re: Eakins postage stamp, 1967-11-02
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Gross Clinic button, 2006-12
Related to the effort to save the Gross Clinic, 2007-1-1.
Pennsylvania Academy of the Fine Arts Annual Exhibition entry card for Thistle on the Pony by Alice Kent Stoddard, 1930
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Punch magazine sheet, 1880 October 30
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Eakins, Frances, to Mrs. Benjamin (Caroline) Eakins, and Eakins, Benjamin, to Mrs. Benjamin (Caroline) Eakins, including transcriptions, 1868
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Scrapbook, containing 9 engraved calling cads of Thomas Eakins, newspaper and magazine clippings, and a letter from Clarence Cranmer to Arthur C. Morgan
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Original Housing for scrapbook
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Eakins, Benjamin. Ledger
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Sartain, William, to Thomas Eakins, 1911-10-16
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.