Box 7
Contains 22 Results:
Deeds from Solebury Township, 1805-1836
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Engravings by Sutherland from drawings by S. Alkin, "Partridge Shooting" and "Ferreting Rabbits", 1822-1823
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Guide to Philadelphia from Pennsylvania Arts and Sciences, 1935 June
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Monetary notes from the eighteenth cenury, 1767-1776
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Portrait of an unidentified man
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Daniel Garber and Ross Lort correspondence, 1952 - 1955
Original correspondence between Daniel Garber and Ross Lort, an architect in Vancouver, B.C., who acquired Garber's Buds and Blossoms painting.
Daniel Trotter letters, to William Trotter and Haines, 1828
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Student record, 1862
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Bill of Sale for dinner service platter from Haviland & Co., 1882
Robert Edge Pine painting room inventory, 1789 July 17
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.