Box 7
Contains 13 Results:
Daniel Garber and Ross Lort correspondence, 1952 - 1955
Original correspondence between Daniel Garber and Ross Lort, an architect in Vancouver, B.C., who acquired Garber's Buds and Blossoms painting.
Daniel Trotter letters, to William Trotter and Haines, 1828
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Student record, 1862
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Bill of Sale for dinner service platter from Haviland & Co., 1882
Robert Edge Pine painting room inventory, 1789 July 17
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
George D. Beck to Howard Moll, re: Eakins postage stamp, 1967-11-02
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Eakins, Frances, to Mrs. Benjamin (Caroline) Eakins, and Eakins, Benjamin, to Mrs. Benjamin (Caroline) Eakins, including transcriptions, 1868
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Scrapbook, containing 9 engraved calling cads of Thomas Eakins, newspaper and magazine clippings, and a letter from Clarence Cranmer to Arthur C. Morgan
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Original Housing for scrapbook
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.
Eakins, Benjamin. Ledger
This artificial collection is made up material that was formerly in curatorial hands. Most items came to the museum along with works of art and were added to curatorial holdings. They are, however, descriptive in nature and have thus been transferred to the Archives. This material is important in that it casts light on American works of art in the collection.