Box 102
Contains 21 Results:
"Gala and the Angelus of Millet (Preceding the Imminent Arrival of the Conical Anamorphoses)", 1933., 2002-2004
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder", 1933., 2004-2005
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"The Enigma of William Tell", 1933., 2002-2003
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"Study for "The Enigma of William Tell"", 1933., 2003
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"Soft Watches", 1933., 2003-2006
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"The Architectonic Angelus of Milet", 1933., 2004-2005
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"Atavism at Twilight", 1933-34., 2002-2004
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"The Javanese Mannequin", 1934., 2003
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"The Spectre of Sex Appeal", 1934., 2004
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.
"Exquisite Corpse", 1934., undated
The files in this sub-subseries are each labeled with the name of one or more artworks, some of which were included in the finale exhibition. Most files contain images of such artworks, curatorial research, correspondence between curators, museums and private collection owners, and loan forms. The bulk of the articles are dated between 2003 and 2005.