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Box 35

 Container

Contains 40 Results:

Harnoncourt, Karl. Correspondence, 1997-1999

 File — Box: 35, Folder: 1
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1997-1999

Harnoncourt, Karl. Correspondence, 2000

 File — Box: 35, Folder: 2
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2000

Harnoncourt, Karl. Correspondence, 2004, 2006

 File — Box: 35, Folder: 3
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2004, 2006

Harnoncourt, Nikolaus. Correspondence, 1999

 File — Box: 35, Folder: 4
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1999

Harnoncourt, Nikolaus. Correspondence, 2002

 File — Box: 35, Folder: 5
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2002

Harnoncourt, Nikolaus [and Alice]. Correspondence, 2004-2005

 File — Box: 35, Folder: 6
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2004-2005

Harnoncourt, Nikolaus. Third party correspondence, 1998

 File — Box: 35, Folder: 7
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1998

Harnoncourt, Nikolaus. Third party correspondence, 2002

 File — Box: 35, Folder: 8
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2002

Harnoncourt, Nikolaus. Third party correspondence, 2004

 File — Box: 35, Folder: 9
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2004

Harnoncourt, Nikolaus. Clippings and ephemera. Incl. photocopies, 1981, 1992, 1997-2005, undated

 File — Box: 35, Folder: 10
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1981, 1992, 1997-2005, undated