Box 35
Container
Contains 40 Results:
Harnoncourt, Karl. Correspondence, 1997-1999
File — Box: 35, Folder: 1
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1997-1999
Harnoncourt, Karl. Correspondence, 2000
File — Box: 35, Folder: 2
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2000
Harnoncourt, Karl. Correspondence, 2004, 2006
File — Box: 35, Folder: 3
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2004, 2006
Harnoncourt, Nikolaus. Correspondence, 1999
File — Box: 35, Folder: 4
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1999
Harnoncourt, Nikolaus. Correspondence, 2002
File — Box: 35, Folder: 5
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2002
Harnoncourt, Nikolaus [and Alice]. Correspondence, 2004-2005
File — Box: 35, Folder: 6
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2004-2005
Harnoncourt, Nikolaus. Third party correspondence, 1998
File — Box: 35, Folder: 7
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1998
Harnoncourt, Nikolaus. Third party correspondence, 2002
File — Box: 35, Folder: 8
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2002
Harnoncourt, Nikolaus. Third party correspondence, 2004
File — Box: 35, Folder: 9
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2004
Harnoncourt, Nikolaus. Clippings and ephemera. Incl. photocopies, 1981, 1992, 1997-2005, undated
File — Box: 35, Folder: 10
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1981, 1992, 1997-2005, undated