Box 18
Container
Contains 16 Results:
Curatorship, 1969-1978, undated
File — Box: 18, Folder: 1
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1969-1978, undated
Rishel, Joseph J., 1974-1982
File — Box: 18, Folder: 2
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1974-1982
Director appointment, 1977-1983
File — Box: 18, Folder: 3
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1977-1983
Edelstein, T.J. "Augustus Egg's triptych: a narrative of Victorian adultery." Burlington magazine (1983): 202-210, 1983
File — Box: 18, Folder: 4
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1983
General, 1980-1985
File — Box: 18, Folder: 5
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1980-1985
General, 1987-1989
File — Box: 18, Folder: 6
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1987-1989
General, 1990-1994
File — Box: 18, Folder: 7
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1990-1994
MoMA director search, 1994-1995
File — Box: 18, Folder: 8
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1994-1995
General, 1995-1996
File — Box: 18, Folder: 9
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1995-1996
CEO appointment and R.M. Scott retirement, 1996
File — Box: 18, Folder: 10
Scope and Contents
From the Sub-Series:
With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates:
1996