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Box 196

 Container

Contains 38 Results:

Madeira, Louis C, IV. Untitled talk. Daughters of American Revolution. Princeton, NJ. Ts, January 17, 1952

 File — Box: 196, Folder: 18
Scope and Contents From the Sub-Series: During Kimball's directorship, the museum took an active role in the restoration of many of the historic homes in Philadelphia's Fairmount Park. Erling H. Pedersen, Kimball's assistant during the early 1930s, oversaw most of the work. The most extensively documented house is Mount Pleasant, also known as the Benedict Arnold house. Its restoration and furnishing was planned to coincide with the 1926 Sesquicentennial. There are numerous revised lists of the objects loaned or gifted for the...
Dates: January 17, 1952

Memorial Hall. Correspondence, 1934-1941, 1947

 File — Box: 196, Folder: 19
Scope and Contents From the Sub-Series: The facilities documented in this subseries operated in various ways as extensions of the museum. Constructed for the City's Centennial Exhibition, Memorial Hall was the first home of the art museum and at the time of Kimball's arrival still served as such. Most of this material documents the museum's dwindling relationship with the building. As reflected in its changing letterhead, the name and relationship of the museum and its school underwent various organizational changes....
Dates: 1934-1941, 1947

Memorial Hall. Correspondence, 1948

 File — Box: 196, Folder: 20
Scope and Contents From the Sub-Series: The facilities documented in this subseries operated in various ways as extensions of the museum. Constructed for the City's Centennial Exhibition, Memorial Hall was the first home of the art museum and at the time of Kimball's arrival still served as such. Most of this material documents the museum's dwindling relationship with the building. As reflected in its changing letterhead, the name and relationship of the museum and its school underwent various organizational changes....
Dates: 1948

Memorial Hall. Correspondence, 1949-1954

 File — Box: 196, Folder: 21
Scope and Contents From the Sub-Series: The facilities documented in this subseries operated in various ways as extensions of the museum. Constructed for the City's Centennial Exhibition, Memorial Hall was the first home of the art museum and at the time of Kimball's arrival still served as such. Most of this material documents the museum's dwindling relationship with the building. As reflected in its changing letterhead, the name and relationship of the museum and its school underwent various organizational changes....
Dates: 1949-1954

Memorial Hall. Clipping, ephemera and other papers, 1947-1954

 File — Box: 196, Folder: 22
Scope and Contents From the Sub-Series: The facilities documented in this subseries operated in various ways as extensions of the museum. Constructed for the City's Centennial Exhibition, Memorial Hall was the first home of the art museum and at the time of Kimball's arrival still served as such. Most of this material documents the museum's dwindling relationship with the building. As reflected in its changing letterhead, the name and relationship of the museum and its school underwent various organizational changes....
Dates: 1947-1954

Philadelphia Museum of Art. School of Industrial Art. Correspondence, 1927-1928

 File — Box: 196, Folder: 24
Scope and Contents From the Sub-Series: The facilities documented in this subseries operated in various ways as extensions of the museum. Constructed for the City's Centennial Exhibition, Memorial Hall was the first home of the art museum and at the time of Kimball's arrival still served as such. Most of this material documents the museum's dwindling relationship with the building. As reflected in its changing letterhead, the name and relationship of the museum and its school underwent various organizational changes....
Dates: 1927-1928

Philadelphia Museum of Art. School of Industrial Art. Correspondence, 1931-1937

 File — Box: 196, Folder: 26
Scope and Contents From the Sub-Series: The facilities documented in this subseries operated in various ways as extensions of the museum. Constructed for the City's Centennial Exhibition, Memorial Hall was the first home of the art museum and at the time of Kimball's arrival still served as such. Most of this material documents the museum's dwindling relationship with the building. As reflected in its changing letterhead, the name and relationship of the museum and its school underwent various organizational changes....
Dates: 1931-1937

Philadelphia Museum of Art. School of Industrial Art. Correspondence, 1945-1949

 File — Box: 196, Folder: 28
Scope and Contents From the Sub-Series: The facilities documented in this subseries operated in various ways as extensions of the museum. Constructed for the City's Centennial Exhibition, Memorial Hall was the first home of the art museum and at the time of Kimball's arrival still served as such. Most of this material documents the museum's dwindling relationship with the building. As reflected in its changing letterhead, the name and relationship of the museum and its school underwent various organizational changes....
Dates: 1945-1949