Box 9
Contains 66 Results:
Robert Rauschenberg, “Letter to Francis M. Naumann”
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Moira Roth, “Robert Smithson on Duchamp”
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Moira and William Roth, “”John Cage on Marcel Duchamp: An Interview”
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Moira Roth, “The Aesthetics of Indifference”
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Susan Sontag, “The Aesthetics of Silence”
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Leo Steinberg, “Reflections on the state of criticism (The Flatbed Picture Plane)”
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
David Sylvester, “Jasper Johns”
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
W.P.A. research. Photo League., 1999
Ann Temkin's extensive research is documented in these files and organized according to the following categories: Neel's past exhibition history; writings, conversations, and interviews with Neel and her family members; background and biographical information; W.P.A research; art schools and movements; and research and correspondence regarding the subjects of Neel's portraiture and paintings.
W.P.A. research. Photo League. Sam Brody., 1999
Ann Temkin's extensive research is documented in these files and organized according to the following categories: Neel's past exhibition history; writings, conversations, and interviews with Neel and her family members; background and biographical information; W.P.A research; art schools and movements; and research and correspondence regarding the subjects of Neel's portraiture and paintings.
W.P.A. research. Photo League. Walter Benjamin., undated
Ann Temkin's extensive research is documented in these files and organized according to the following categories: Neel's past exhibition history; writings, conversations, and interviews with Neel and her family members; background and biographical information; W.P.A research; art schools and movements; and research and correspondence regarding the subjects of Neel's portraiture and paintings.