Box 5
Contains 48 Results:
Films #2: Anemic Cinema, Le Retour a la Raison, La Roue, Ballet Mecanique
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dansmuseet #1: Stockholm: Léger, Skating Rink watercolors and costumes, Léger, Skating Rink, 1921
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dansmuseet #2: Léger, Cover for program of Les Ballets Suedois, 1923, Picabia, Relache, 1924, Picabia, Relache maquette, 1933, Picabia, Relache watercolors, Léger. Creation du monde watercolors, Léger, Sketch for the stage Dansmuseet. La Danse, Nov/Dec 1924
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Modcon #1: Léger, Typographer, 1919, Gris, Still Life Before an Open Window, 1915, El Lissitzky, Proun 2, 1920, Kupka, Disks of Newton, 1912, Léger, Animated Landscape, 1924, Léger, Man with a Cane, Lipchitz, Bather, 1917, Ozenfant, Nacres No 2, 1923-26, Léger, Contrast of Forms, 1913
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Modcon #2: Léger, The City, 1919, Mondrian, Composition with Blue, 1926, Delaunay, Eiffel Tower, 1925, Delaunay, Three-part Windows, 1912, Delaunay, Untitled, 1925, Lipchitz, Half-Standing Figure, 1915, Léger, Composition, 1923-1927, Léger, The Scaffolding (First State), 1919, Léger, The City (Fragment, Third State), 1919, Duchamp, Nude Descending a Staircase (no 1), 1911, Severini, La Modiste (The Milliner), 1910-11
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
PDP #1: Léger, Study for Woman in Red and Green, 1913, Léger, Accordian, 1926, Léger, Study for a Mural, 1925, Robert Delaunay, The Eiffel Tower, No 2, 1910-11, Léger & Malrux, Lunes en Papier, 1922, S. Delaunay & Cendrars, Prose on the Trans-Siberian and of Little Jehanne of France, 1913, Man Ray, Untitled Rayograph, 1923
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
PDP #2: Man Ray, Revolving Doors, 1926, Balla, Abstract Speed, 1912, Duchamp, La Coeur a Barbe, 1922, Léger & Cendrars, La Fin du Monde filme…, 1925, Cassandre, Le Plus Fort: L’Intransigeant, 1925, El Lissitzky & Malevich, Victory over the Sun, 1923, Picasso, Bowl of Fruit, Violen and Wineglass, 1913
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Jokab Bill: Vantongerloo, Interrevation of Volumes, 1919
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Peter Sayers: Yakoulov, Pas d’Acier, 1927
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Private Collection: Léger, Element mecanique, 1925, Léger, Fumees sur les toits, 1910
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.