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Box 91

 Container

Contains 12 Results:

Visitor requests, 1971

 File — Box: 91, Folder: 1
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: 1971

Visitor requests, 1972-1974

 File — Box: 91, Folder: 2
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: 1972-1974

Visitor requests, 1975-1976

 File — Box: 91, Folder: 3
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: 1975-1976

Visitor requests, 1977-1978, undated

 File — Box: 91, Folder: 4
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: 1977-1978, undated

Visitor requests, 1979

 File — Box: 91, Folder: 5
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: 1979

Visitor requests, 1980

 File — Box: 91, Folder: 6
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: 1980

Visitor requests, 1981-April 1982

 File — Box: 91, Folder: 7
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: 1981-April 1982

Visitor requests, May-December 1982

 File — Box: 91, Folder: 8
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: May-December 1982

Visitor requests, January-May 1983

 File — Box: 91, Folder: 9
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: January-May 1983

Visitor requests, June 1983-1986

 File — Box: 91, Folder: 10
Scope and Contents From the Sub-Series: Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates: June 1983-1986