Box 90
Container
Contains 22 Results:
Shipping objects to Philadelphia from Glenveagh. Nat Ross Ltd. [Dublin packer]. Including inventories, 1981-1983
File — Box: 90, Folder: 11
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1981-1983
Shipping objects to Wintersteen residence (Chestnut Hill) from Italy. Re: 6 paintings and 1 bronze, 1950
File — Box: 90, Folder: 12
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1950
Shipping objects. Miscellaneous, 1967-1979, 1985
File — Box: 90, Folder: 13
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1967-1979, 1985
Silverware [?]. Inventory of "modern" and "antique." Including ivory and mother of pearl items, undated
File — Box: 90, Folder: 14
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
undated
Visitor requests/responses. Addressed to John D. McIlhenny, 1913-1915, undated
File — Box: 90, Folder: 15
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1913-1915, undated
Visitor requests/responses re: Parkgate, 1940
File — Box: 90, Folder: 16
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1940
Visitor requests, 1941-1947, 1952
File — Box: 90, Folder: 17
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1941-1947, 1952
Visitor requests, 1953-1956
File — Box: 90, Folder: 18
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1953-1956
Visitor requests, 1957-1960
File — Box: 90, Folder: 19
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1957-1960
Visitor requests, 1961-1963
File — Box: 90, Folder: 20
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1961-1963