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Box 80

 Container

Contains 45 Results:

20th-Aux. Including purchases, 1938-1985

 File — Box: 80, Folder: 1
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1938-1985

Alfred Bullard, Inc. Re: furniture restoration, 1982-1986

 File — Box: 80, Folder: 2
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1982-1986

American Association of Museums. Re: benefit for "Art across America" exhibition, 1965

 File — Box: 80, Folder: 3
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1965

American Museum in Britain, 1965, 1966

 File — Box: 80, Folder: 4
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1965, 1966

Arnold Seligmann, Rey Co., Inc. Including statements of account, 1929-1937

 File — Box: 80, Folder: 5
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1929-1937

Arnold Seligmann, Rey Co. Inc., 1938-1946

 File — Box: 80, Folder: 6
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1938-1946

Art Associates, Inc. Re: loan to "Masterpieces of Art" exhibition at New York World's Fair, 1940

 File — Box: 80, Folder: 7
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1940

Art Association of Montreal. Re: loan, 1941

 File — Box: 80, Folder: 8
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1941

Art Gallery of Toronto. Re: loan, 1940, 1946

 File — Box: 80, Folder: 9
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1940, 1946

Art Institute of Chicago. Re: loans and reproduction requests, 1934, 1940

 File — Box: 80, Folder: 10
Scope and Contents From the Sub-Series: This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates: 1934, 1940