Box 80
Container
Contains 45 Results:
20th-Aux. Including purchases, 1938-1985
File — Box: 80, Folder: 1
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1938-1985
Alfred Bullard, Inc. Re: furniture restoration, 1982-1986
File — Box: 80, Folder: 2
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1982-1986
American Association of Museums. Re: benefit for "Art across America" exhibition, 1965
File — Box: 80, Folder: 3
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1965
American Museum in Britain, 1965, 1966
File — Box: 80, Folder: 4
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1965, 1966
Arnold Seligmann, Rey Co., Inc. Including statements of account, 1929-1937
File — Box: 80, Folder: 5
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1929-1937
Arnold Seligmann, Rey Co. Inc., 1938-1946
File — Box: 80, Folder: 6
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1938-1946
Art Associates, Inc. Re: loan to "Masterpieces of Art" exhibition at New York World's Fair, 1940
File — Box: 80, Folder: 7
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1940
Art Association of Montreal. Re: loan, 1941
File — Box: 80, Folder: 8
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1941
Art Gallery of Toronto. Re: loan, 1940, 1946
File — Box: 80, Folder: 9
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1940, 1946
Art Institute of Chicago. Re: loans and reproduction requests, 1934, 1940
File — Box: 80, Folder: 10
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1934, 1940