Box 236
Container
Contains 18 Results:
Monnier, Jacqueline Matisse, July-December 1997
File — Box: 236, Folder: 11
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
July-December 1997
Monnier, Jacqueline Matisse, January-August 1998
File — Box: 236, Folder: 12
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
January-August 1998
Monnier, Jacqueline Matisse, September-Decmber 1998
File — Box: 236, Folder: 13
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
September-Decmber 1998
Monnier, Jacqueline Matisse. Incl. correspondence re PMA acquisition, 1999
File — Box: 236, Folder: 14
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1999
Monnier, Jacqueline Matisse, May-December 1999
File — Box: 236, Folder: 15
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
May-December 1999
Monnier, Jacqueline Matisse. Incl. AdH meeting notes, 2000
File — Box: 236, Folder: 16
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
2000
Monnier, Jacqueline Matisse, January-March 2001
File — Box: 236, Folder: 17
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
January-March 2001
Monnier, Jacqueline Matisse, April-August 2001
File — Box: 236, Folder: 18
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
April-August 2001