Box 5

Scope and Contents From the Sub-Series: Most of Norman's documentation identifying works of art collected by Stieglitz are inventories of holdings of the Metropolitan Museum of Art, Museum of Modern Art, Philadelphia Museum of Art, National Gallery of Art, and the Stieglitz Archive at Yale University Library. A collection catalogue from Fisk University and a 1944 exhibition catalogue of the Philadelphia Museum of Art also cite their respective Stieglitz collection holdings. While works by the artists Stieglitz championed, namely...

Scope and Contents From the Sub-Series: Most of Norman's documentation identifying works of art collected by Stieglitz are inventories of holdings of the Metropolitan Museum of Art, Museum of Modern Art, Philadelphia Museum of Art, National Gallery of Art, and the Stieglitz Archive at Yale University Library. A collection catalogue from Fisk University and a 1944 exhibition catalogue of the Philadelphia Museum of Art also cite their respective Stieglitz collection holdings. While works by the artists Stieglitz championed, namely...

Scope and Contents From the Sub-Series: Most of Norman's documentation identifying works of art collected by Stieglitz are inventories of holdings of the Metropolitan Museum of Art, Museum of Modern Art, Philadelphia Museum of Art, National Gallery of Art, and the Stieglitz Archive at Yale University Library. A collection catalogue from Fisk University and a 1944 exhibition catalogue of the Philadelphia Museum of Art also cite their respective Stieglitz collection holdings. While works by the artists Stieglitz championed, namely...

Scope and Contents From the Sub-Series: Norman compiled an extensive number of copyprints of Stieglitz's work, as well as that of the other artists, whom she categorized in her files as "Stieglitz Group from 291 on." Most of the copyprints are pasted on paper, numbered and captioned, indicating their use for publication. It is unclear as to which writings these images were intended, except for those with a 2x2 paper label attached. In those cases, the penciled-in illustration number (Ill. No.) coincides with those in "Alfred...

Scope and Contents From the Sub-Series: Norman compiled an extensive number of copyprints of Stieglitz's work, as well as that of the other artists, whom she categorized in her files as "Stieglitz Group from 291 on." Most of the copyprints are pasted on paper, numbered and captioned, indicating their use for publication. It is unclear as to which writings these images were intended, except for those with a 2x2 paper label attached. In those cases, the penciled-in illustration number (Ill. No.) coincides with those in "Alfred...

Scope and Contents From the Sub-Series: Norman compiled an extensive number of copyprints of Stieglitz's work, as well as that of the other artists, whom she categorized in her files as "Stieglitz Group from 291 on." Most of the copyprints are pasted on paper, numbered and captioned, indicating their use for publication. It is unclear as to which writings these images were intended, except for those with a 2x2 paper label attached. In those cases, the penciled-in illustration number (Ill. No.) coincides with those in "Alfred...

Scope and Contents From the Sub-Series: Norman compiled an extensive number of copyprints of Stieglitz's work, as well as that of the other artists, whom she categorized in her files as "Stieglitz Group from 291 on." Most of the copyprints are pasted on paper, numbered and captioned, indicating their use for publication. It is unclear as to which writings these images were intended, except for those with a 2x2 paper label attached. In those cases, the penciled-in illustration number (Ill. No.) coincides with those in "Alfred...

Scope and Contents From the Sub-Series: Norman compiled an extensive number of copyprints of Stieglitz's work, as well as that of the other artists, whom she categorized in her files as "Stieglitz Group from 291 on." Most of the copyprints are pasted on paper, numbered and captioned, indicating their use for publication. It is unclear as to which writings these images were intended, except for those with a 2x2 paper label attached. In those cases, the penciled-in illustration number (Ill. No.) coincides with those in "Alfred...