Box 2
Contains 349 Results:
Willem van de Velde, An English Ship Battling Barbary Ships, Greenwich, UK, National Maritime Museum
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 64, Harmony in Blue and Silver. Trouville, Isabella Stuart Gardner Museum
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 65, Sea and Rain, The University of Michigan Museum of Ann Arbor
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 67, Crepuscule in Opal: Trouville, The Toledo Museum of Art
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 69, The Sea, The Montclair Art Museum, NJ
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 70, Trouville, The Art Institute of Chicago
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 71, Nocturne. The Solent, Tulsa, Gilcrease Gallery
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 73, Crepuscule in Flesh Colour and Green, Valparaiso, London, Tate Britain
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
James Abbot McNeill Whistler Y 74, Valparaiso Harbor, Washington DC, Smithsonian American Art
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.