Folder 1

Scope and Content Note From the Sub-Series:

The loan files include correspondence, agreements, insurance information, and other related material between the PMA and lending institutions and individuals. The bulk of the files date from 2000 to 2002.

Scope and Content Note From the Sub-Series: "African Art, African Voices: Long Steps Never Broke a Back" was an exhibition organized and drawn from the Seattle Art Museum. The exhibition accompanied by video projections, computer interviews, and an audio tour, featured 130 objects, including textiles, jewelry, sculpture, photographs, film, masks, and contemporary art. The exhibition was organized by Pamela McClusky, Curator of African and Oceanic Art at the Seattle Art Museum, and the Philadelphia exhibition was organzied by John...

Scope and Content Note From the Sub-Series: "African Art, African Voices: Long Steps Never Broke a Back" was an exhibition organized and drawn from the Seattle Art Museum. The exhibition accompanied by video projections, computer interviews, and an audio tour, featured 130 objects, including textiles, jewelry, sculpture, photographs, film, masks, and contemporary art. The exhibition was organized by Pamela McClusky, Curator of African and Oceanic Art at the Seattle Art Museum, and the Philadelphia exhibition was organzied by John...

Scope and Content Note From the Sub-Series: "African Art, African Voices: Long Steps Never Broke a Back" was an exhibition organized and drawn from the Seattle Art Museum. The exhibition accompanied by video projections, computer interviews, and an audio tour, featured 130 objects, including textiles, jewelry, sculpture, photographs, film, masks, and contemporary art. The exhibition was organized by Pamela McClusky, Curator of African and Oceanic Art at the Seattle Art Museum, and the Philadelphia exhibition was organzied by John...

Scope and Content Note From the Sub-Series: The exhibition, "Edvard Munch's Mermaid," focused on the PMA's recent acquisition of the Munch painting, Mermaid. Painted in 1896, Mermaid had never been featured in a museum exhibition before and it had remained in private hands until it came to the PMA in 2003. The exhibition, curated by John Zarobell, Assistant Curator of European Painting before 1900, and Shelley R. Langdale, Assistant Curator of Prints and Drawings, included twenty paintings, drawings, and prints. The records include...

Scope and Content Note From the Sub-Series: The exhibition, "Edvard Munch's Mermaid," focused on the PMA's recent acquisition of the Munch painting, Mermaid. Painted in 1896, Mermaid had never been featured in a museum exhibition before and it had remained in private hands until it came to the PMA in 2003. The exhibition, curated by John Zarobell, Assistant Curator of European Painting before 1900, and Shelley R. Langdale, Assistant Curator of Prints and Drawings, included twenty paintings, drawings, and prints. The records include...

Scope and Content Note From the Sub-Series: The exhibition, "Edvard Munch's Mermaid," focused on the PMA's recent acquisition of the Munch painting, Mermaid. Painted in 1896, Mermaid had never been featured in a museum exhibition before and it had remained in private hands until it came to the PMA in 2003. The exhibition, curated by John Zarobell, Assistant Curator of European Painting before 1900, and Shelley R. Langdale, Assistant Curator of Prints and Drawings, included twenty paintings, drawings, and prints. The records include...